http://www.iisg.nl/exhibitions/art/titel.html is a website that features historical examples of social change facilitated through art by five European artists from the 1880s to 1930s.
http://www.iisg.nl/exhibitions/art/titel.html is a website that features historical examples of social change facilitated through art by five European artists from the 1880s to 1930s.


Throughout history, street art has been used as a form of social commentary for those have no input or control of the media. It is an illegal, primal way of communicating social concerns or revealing one’s point to a large audience.
PARIS, 1968…
With the student and worker’s revolt of May and June of that year came a surge of street art, while France sat on the brink of a revolution. Protest wasn’t just the marches and picket signs. It was the representation of the plight faced by workers and students, fixed onto buildings throughout Paris by use of graffiti.


SOUTH AFRICA, 1970s-1980s…

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JOE BORUCHOW is a self-taught stencil artist working in Philadelphia. Though he originally began making stencils and cutouts to advertise local bands, Boruchow’s art has leapt off the “posting boards and telephone poles” of Philadelphia. His art now expresses social commentary on topics from war to politics to violence in our own city.



How does graffiti and street art work? Well, it can be seen as a sort of “guerilla advertising” like practice. To the average person walking along the sidewalk, public art like this stands out, and can certainly leave an impression. Instead of publicizing something commercial, the artist promotes his or her own beliefs, or simply wants to show off their artwork. In Philadelphia, Street art is most often seen via “tagging” (graffiti featuring words or symbols as opposed to images) or through the Mural Arts Program.




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