http://www.iisg.nl/exhibitions/art/titel.html is a website that features historical examples of social change facilitated through art by five European artists from the 1880s to 1930s.
http://www.iisg.nl/exhibitions/art/titel.html is a website that features historical examples of social change facilitated through art by five European artists from the 1880s to 1930s.
From http://justseeds.org/ -
“Justseeds Artists' Cooperative is a decentralized community of artists who have banded together to both sell their work online in a central location and to collaborate with and support each other and social movements. Our website is not just a place to shop, but also a destination to find out about current events in radical art and culture. Our blog covers political printmaking, socially engaged street art, and culture related to social movements. We believe in the power of personal expression in concert with collective action to transform society.”
“Justseeds was originally started in 1998 by artist Josh MacPhee as a way to distribute his art and the Celebrate People's History poster series. He slowly expanded Justseeds to include the work of like-minded artists. In 2006, MacPhee reached out to a dozen like-minded artists and previous collaborators as well as the political street art blog Visual Resistance in order to re-envision Justseeds as a cooperative effort. Justseeds was transformed into Justseeds Artists' Cooperative, an artist/worker owned and run cooperative and blog, that launched in the summer of 2007.”


FiftyCrows is a San Francisco based foundation, which promotes social change through photography. Founded in 2001, this organization seeks to use documentary-style photos to arouse public interest in social concerns and facilitate interaction.


More information can be found on their websites:
Throughout history, street art has been used as a form of social commentary for those have no input or control of the media. It is an illegal, primal way of communicating social concerns or revealing one’s point to a large audience.
PARIS, 1968…
With the student and worker’s revolt of May and June of that year came a surge of street art, while France sat on the brink of a revolution. Protest wasn’t just the marches and picket signs. It was the representation of the plight faced by workers and students, fixed onto buildings throughout Paris by use of graffiti.


SOUTH AFRICA, 1970s-1980s…
Jon E. Bekken, chairman of Albright College’s communications department realized McCray’s value as a knowledgeable expert in street art and invited the artist to speak at the school. “I’m interested in a wide range of communications, in particular in ways in which people who don’t have access to media outlets try to get a voice,” Bekken said. McCray gave some pointers to prospective taggers of the college: “If you’ve got the talent to do graffiti, you can get paid for it. But don’t go out and vandalize.”